Our expert

Jonathan Price

Jonathan Price is a cultural analyst, lecturer and consultant based in Huddersfield (UK), specialising in evaluation, research, funding and strategy for the arts and creative industries. A respected cultural expert at European level, he was lead author for an EENCA study to inform the Preparatory Action on music in Europe 2018-2020 and a contributor to the network’s recent impact assessment for Creative Europe. Price also has substantial experience of funding assessments for European Commission programmes such as Creative Europe and Horizon 2020, including work as a Quality Expert and Lead Expert. At national level, he has been an external funding assessor for Creative Scotland (2017-18) and a guest advisor for British Council briefings on European programmes. He has operated cultural funding programmes at local and regional level as well as managing and fundraising for projects, festivals and cultural regeneration programmes in local authority roles (1998-2012). As an academic, Price is currently Lecturer in Creativity and Enterprise for the University of Leeds, teaching cultural management and leadership at undergraduate and postgraduate levels. He has published and lectured on issues around cultural policy, social justice and participation in the arts for various institutions in the UK and Europe. His PhD on the discourse of cultural leadership was shortlisted for the international ENCATC Award on Cultural Policy and Cultural Management in 2016. Overall, Price has worked for more than 25 years in the cultural sector, including roles in music promotion and development, theatre, journalism, youth and community engagement, national/international funding programmes and higher education/research.

Meet our experts

Ljubica Knezevic Cvelbar

Ljubica Knezevic Cvelbar holds a PhD in economics. She has published more than 40 journal papers to date, most of them in top tier tourism scientific journals. Knezevic has been invited to present her work at approximately 30 universities internationally. Her work won several national and international awards, most notably the international Sinclair Award for the best paper published in Tourism Economics in 2016, 2019. She was engaged as an expert in more than 50 consulting and research projects in the field of tourism, leisure and hospitality.

Indrek Ibrus

Indrek Ibrus is a professor of media innovation at Tallinn University’s (TLU) Baltic Film, Media, Arts and Communication School (BFM). He is also the head of TLU’s Centre of Excellence in Media Innovation and Digital Culture (MEDIT). Currently his main research area are the innovative reuses of digitised cultural heritage contents, but he also leads research projects on cross-innovation, cross- and transmediality, media and cultural policies. He is the co-editor of “Crossmedia Innovations: Texts, Markets, Institutions” (together with Carlos A. Scolari; Peter Lang, 2012) Dr. Ibrus received his PhD from London School of Economics and Political Science.

Recent publications: Ibrus, Indrek; Rohn, Ulrike; Nanì, Alessandro (2018). Searching for public value in innovation coordination: How Eurovision Song Contest served to innovate the public service media model in Estonia. International Journal of Cultural Studies.

Rohn, Ulrike; Ibrus, Indrek (2018). A Management Approach to Transmedia Enterprises. In: Freeman, Matthew; Gambarato, Renira (Ed.). The Routledge Companion to Transmedia Studies. London: Routledge.

Gillian Doyle

Gillian Doyle is Professor of Media Economics and Director of the Centre for Cultural Policy Research (CCPR) at the University of Glasgow where she directs Glasgow’s MSc in Media Management. Her research on media economics and policy and on the impact of digitisation has been translated and published in several languages. Gillian is Principal Investigator (PI) on ‘Television Production in Transition: Independence, Scale and Sustainability’, a major research project examining recent transformations in ownership structures in the television production sector funded by the UK Economic & Social Research Council (2017-2020). She was PI on a recently completed ESRC –funded project on ‘Multi-platform Media and the Digital Challenge’ which investigated economic and policy aspects of digital media convergence and on a major AHRC-funded project entitled ‘The UK Film Council: A Case Study of Film Policy in Transition’. She was also Lead Investigator on ‘Converging Technologies and Business Models’, a project that forms part of the work programme of CREATe, the RCUK hub for research on Copyright and New Business Models for the Creative Economy. Gillian has carried out and supervised studies on media economics and media policy for the Council of Europe, the European Commission and the OECD. Gillian is former President of the Association for Cultural Economics International (ACEI).